Skip to content
Utah Community Learning

treble clef notes and the tricks people actually use to remember them

About 25 minutes

treble clef notes and the tricks people actually use to remember them

last lesson the staff was a ladder, lines and spaces, top to bottom. today we put names on the rungs.

here's the thing behind the thing. there's no shortcut around memorizing these. you can find middle C by landmark, you can figure out a black key pattern by logic, but the notes on the treble staff just have to get stuck in your head through repetition. the good news is people have been inventing memory tricks for this for a hundred years, and some of them actually work. we'll use them.

the lines: E G B D F

bottom line to top line, the notes are E, G, B, D, F.

the phrase everyone learns is "every good boy does fine." i'll be honest, i've also heard "every good burrito deserves fire" from a kid in my ward and i like it better, it's more memorable because it's a little ridiculous. use whichever one sticks. the point isn't the phrase, it's that you say the first letters in order enough times that your brain stops needing the sentence at all.

the spaces: F A C E

the spaces, bottom to top, spell FACE. this is the easy one. no trick needed, it's already a word. if you only remember one thing from this lesson, remember that the spaces spell a face, because it'll anchor the whole staff for you.

how to actually drill this

here's what i want you to do, and it's not complicated:

  1. draw five blank staff lines on paper, or print some off, whatever you've got.
  2. write E G B D F under the lines, F A C E in the spaces. look at it for a minute.
  3. cover it. name the lines bottom to top, out loud. then top to bottom. then the spaces the same way, both directions.
  4. once you can do that without stalling, go find middle C on your keyboard and work outward, saying the note name as you play each key going up the staff.

do this in short stretches, five minutes, not one long marathon session where you're just staring at letters until your eyes cross. this is the same rule as everything else i tell you. fifteen honest minutes beats an hour you keep putting off.

the part people skip: middle C isn't on the staff

quick note because this trips people up. middle C sits on a little short line below the treble staff, called a ledger line. it's not one of the five lines we just memorized. it's the note that connects the treble staff down to the bass staff, which we'll get to. for now just know it lives just under the bottom line, by itself, on its own little shelf.

an opinion, since you asked

people get anxious about reading notation fast, like sight-reading speed is the whole goal. it isn't, not at this stage. i'd rather be accurate than smooth. slow and correct beats fast and guessing every time, especially with note names, because a wrong note you've memorized wrong is much harder to unlearn than a note you never learned in the first place. i learned that one the hard way with middle C itself, actually, back when i thought i had it nailed down and didn't.

the first time it clicked for me

i want to tell you when this stopped being letters on a page and started being music, because it's a specific memory.

the first hymn i played all the way through with both hands was "Come Thou Fount." i'd been drilling notes the boring way, staff, letters, keys, for weeks. Nathan, my husband, came in partway through, while i was still stumbling, and he just sat down on the stairs. didn't say anything. didn't offer help. just sat there until i finished it, start to end, without stopping.

that's a big reaction for him. he doesn't do standing ovations. but he sat there the whole time, and when i finished he just nodded once, and i knew i'd actually done it. not perfectly. there were some notes in there that were more suggestion than accuracy. but the letters on the staff had turned into an actual song coming out of an actual piano, and that gap between reading and playing, the one that feels impossible right now, it closes. it just takes the boring repetition first.

before next time

drill the lines and spaces daily, five minutes is plenty, and try naming a few notes on real sheet music if you've got any lying around from your kid's lessons or a hymn book. don't worry about playing it yet, just point and name.